Any mention from me of popgun has to start with my standard comment. All the hype for the popgun line focuses on this idea that it is a 'graphic mixtape' and that somehow it is bringing together comics and music in anthology form, in a way that just has never been thought of before. It strikes me as a bit pompous and based in a sort of denial. Reading the blurb at the back of the book by Joe Keatinge takes a little of the fire out of my belly on that, as he seems really sincere. I had read little bits in the press that made it sound like it was a grand experiment for people that didn't read comics, rather than what it is, which is a fairly straight forward, seemingly theme free anthology. To me, None of that matters. If you give me an anthology filled with really awesome stuff cover to cover, then I don't need a theme or any coaxing to like it.
- The Allred cover is beautiful and brilliant. It features Frank Einstein in the middle, and bits from the comics in the volume are all over the room he is in.
- We get part of a Joe Flood spread that starts in the front of the book and finishes on the inside back cover. I LOVE this guy's art. Everything I have seen from him is amazing and makes me want to own a print of it. It doesn't hurt that he seems to be just the nicest guy you could want to meet. This page has a character from the first story that appears in most of the pieces done for the book design by a variety of artists. It looks like a vampire themed tele tubby sort of.
- Two, two page pieces by Barnaby Ward follow. Both are beautiful, and they work nicely one after the other. The first is a girl reading in an attic and wearing headphones done in muted tones, the second is a similar looking girl in space with pinks and blue and orange. The helmet to her space suit appears to be made out of giant headphones. It's a nice effect.
- The next page we get after the table of contents is another Barnaby Ward piece. I will need to look him up when I am done typing this. I really like what is here. This one is a full page girl standing up and apparently poking Felix the cat in the eye. really nice picture.
- p11 - Your Hand In Mine, Carlos Lerma - The art here is pretty beautiful. The story seems to be taking place in the imagination of a young cancer patient who is being taken off of life support. It's nearly wordless, and really nicely done.
- p18 Me And The Cat Own The Lease On The Flat, Jamie S. Rich & Joelle Jones - This is a joint custody after a contentious break-up story. The kid in this case is a female cat named Jake. I like this piece, although the bad blood that is portrayed in it makes me sort of uneasy. I think that is a sign that it is pretty well written. The art is expressive and works well.
- p23 Codename Colonel Kursk, Toby Cypress - I LOVE the style of art here. It's really cool. Unfortunately, while I can't say i don't appreciate what looks like the end of an action movie, I am not sure what the point of this is. I think it could be (and who knows, maybe is) a piece out of something fairly awesome, but It doesn't seem to be something that is complete.
- p29 Manhunt In The Obsidian Hills Of Mars: A Futari Tale, Nick Derington - This is another piece like the one before it. First, it seems to have a title longer than the work itself, but that isn't the problem. This piece also has very solid art. It looks like something I would like, but it feels like a snippet. It's like watching trailers rather than getting complete short works.
- p35 Frank Einstein In For The Record, Mike Allred. I like Allred, I like Madman. This is a nice little story. In it we get a sort of origin, as well as a story about Frank trying to get a special order from a record store. I don't know if this story was previously published, but it was fairly old when the anthology came out. That doesn't hurt anything, just mentioning it.
- p43 The New Brighton Archaeological Society, Mark Andrew Smith & Matthew Weldon - I like the style here. I am not sure I love that there are three different installments of this throughout the anthology. So far it reads good and the art is great. I like Smith's writing a lot, and Matthew Weldon is a terrific artist. I'll have more opinions on the whole thing when I get to the last part.
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