Castle Waiting: Volumes One and Two

I borrowed the hardcovers of Castle Waiting volume one and two from my local library. I own the paperback volume one, but reading both in hardcover was kind of nice. I had difficulty setting the books down once I started, and honestly loved both of them pretty much completely. When I was re-reading EB White's books to my kids as they were groing up, Stewart Little was my favorite, and the character stays very present in my mind, as he was an example of decency, and also kind heartedness. For being more or less a mouse in the world, he was fallable and capable of self defeat, but really, again for being what he was, embodied humanity as I could identify with it, and as I liked to think it could be. This is what Linda Medley has captured and conveys in the characters she has created in her books. Even if the characters are not all entirely human, there is a real decency and humanity in so many of them that it has the ability to just about bring tears to my eyes.

Linda Medley's art is clean and thin lined and very clear and easy to follow. Her settings and architecture are perfect, and her expertise with facial expressions has her rightfully recognized as one of the all-time greats in that particular skill. I think of her in the same way I think of Jaime Hernandez and Terry Moore with regard to conveying thoughts and feelings through their character's faces.

Castle Waiting starts with a retelling of the Sleeping Beauty fairy tale. Stories are a primary focus of this series, and it opens with a story that at least so far, gives us the main base of operations for the primary focus of the series, and it also gives us a handful of characters. If Castle Waiting is about stories, it is equally about characters, as characters are the heart of the stories. There is less traditional 'action' in Castle Waiting than you might expect for something that owes so much to Fairy Tales, and seems to have evolved out of such a great love of them, but it is replaced with character development and backstory filling up even the most seemingly still and reflective or insignificant of pages.

After the Sleeping Beauty story is told, we move focus to Jain, who we first see fleeing presumable domestic abuse and setting out on her own to seek an almost mythical sanctuary known as Castle Waiting. Jain exhibits a lot of fairy tale characteristics herself, and gets into situations that should go much worse for her, but always seem to work themselves out with kindness or storytelling, etc. She eventually makes it to Castle Waiting, which is the castle of the kingdom from the Sleeping Beauty story. Remaining there from the opening piece is a trio of Ladies in Waiting who are now very old ladies, and a small demon that always seems to be around. They people of Castle Waiting operate it as a sanctuary for anyone who needs it, and they all need it themselves to some degree.

Jain is pregnant, and has her child at the castle, and ultimately the book turns to the story of Sister Peace (Warren), a sister of a very unique order, who seems to always know what people really need. Her story is again, filled with relatively little real conflict, although there is a good bit there, the focus is on the good people trying to live their lives. The stories are very much the sorts of things that go on just off the page in fairy stories, combined with a sort of modern sensibility of feminism and human nature, and good people looking out for good people.

The Second volume contains a lot of coverage of what goes on when visitors come to the castle with ties to some of the other residents, and are inlisted in helping Jain and her baby move to different living quarters. It is slice of life, but there is more going on than just day to day. You continue to get stories, and you continue to wait for resolution to a variety of questions that have naturally come up since the story began. In my opinion that is just fine with me. I am not impatient about the lack of resolution. The word WAITING is right there in the title. This is not an action story, this is a story that celebrates the need for stories as much as the need for people to have a safe place to live, and caring people to interact with. There is a great deal of sweetness in this, but it is mixed with mischief and wonder, and a sense that if you look hard enough you will find that you aren't alone, and that you don't have to suffer for your differences as much as we are lead to believe sometimes. These books are a treasure, and I highly recommend them. There will be plenty of people who will surely hate them as much as I love them, but there are books out there for them as well.

Doctor Voodoo: Avenger of the Supernatural

Doctor Voodoo has always been a character that I thought was cool. I am sure I have always felt that way, but I am not sure that i ever really read anything with him in it when I formed that opinion as a kid. I was excited about this series when it started, and I am pretty sure I picked up the first issue. I don't think any subsequent issues actually made the shelf at my LCS and that was that. Fortunately for me it is available through Marvel Digital Unlimited and I got to read it recently. I wish that it was more than five issues, but it as a complete arc and has an awful lot going for it.

Rick Remender wrote the series, which involves a plot by Nightmare to undo reality, and Jefte Palo turns in an amazing job with the art. Combined with Stunning covers by Marko Djurdjevic, this comic has everything you could want. In addition to always thinking Brother Voodoo was a cool character, I absolutely LOVED Nightmare When I was a kid. The story pretty much turns into Jericho and Daniel Drumm vs. Possessed versions of everyone else in the Avengers, etc. We get good back story on the brothers, and a pretty fun main conflict. I wish I had subscribed to this title, and I wish it was still running. Even occasional mini's of it done with the same team would be welcomed.

daytripper

I recently went on a multi-day online spending spree and a week or two ago got a couple boxes of trades in the mail. Ok, it was probably ten or eleven books, but they did come in multiple boxes, so I'm not exaggerating all that much. Most were highly discounted, and titles that I didn't want to miss at a really good price, but I also ordered daytripper because it was a title I had heard good things about and really wanted to read. Based on the creators I was pretty sure I would like it, and I wasn't disappointed at all.

daytripper is written and drawn by Fabio Moon and Gabriel Ba. It is about a man and his life and his relationships. It's about being a writer, it's about being in your father's shadow, it's about being your mother's little miracle. It's about experience and dreams and family and friends. It's about mortality and what we leave behind. In the story, Every chapter covers a different important event in the life of our protagonist Bras de Olivia Domingos. The chapters are not exactly in chronological order, and every one of them ends in his death and subsequent obituary.

This was a very moving book. The art is beautiful, and it is populated with realistic people and realistic events. Despite having the main character repeatedly die and seemingly keep right on living, this is not played off as fantasy. There are dream elements in this, but conveying the dream is less of the point than conveying the reality.

To me, the art and the setting for this story are so intimately done, that despite it being a pretty exotic locale for me (Brazil), it comes across as beautiful, but very realistically portrayed. It's the protagonists home. The locations are what they are because that is where he lived, that is where he traveled to.

Excellent book. It has a very literary feel to it. It seems like it is another good example of comics that really elevate the medium. It feels like a foreign film to me. What you see is universal, and makes you think, but it is in a way that doesn't skew so much to the mainstream, doesn't deliver what you are expecting.

Marvel Digital, Thor, and Devil Dinosaur

Not too long ago I renewed my subscription to Marvel Digital Online . I had subscribed to it a while back and then under-utilized it. There was a decent percentage off for a year subscription that made me feel I should give it a chance again. Really, despite its shortcomings, the fact that I didn't take advantage of it previously was completely on me. That, and the fact that I saw a number of runs I was interested in reading, or reading again as is the case with Thor, made it easy enough to jump back in. I have access to a lot of good comics for just over the cost of most Marvel single issues. Yes, this is basically a countdown until I lose interest again, but my intentions are always the best in the beginning.

The Mighty Thor
I started with Thor this time. I was very interested in re-reading More of Walt Simonson's historic and acclaimed run on the title, and revisiting Beta Ray Bill, a character that I was very much on the fence about when I was reading the series originally around my freshman year in High School. I added a LOT of Mighty Thor to my 'Must Read' list, and started with issue 337. In this Issue, Thor is called upon by Nick Fury to investigate an alien spaceship on its way toward Earth. When Thor gets there, he finds his near match in the form of the ships guardian. Due to misunderstandings regarding motives, they end up fighting as enemies. Thor accidentally turns into Donald Blake and loses, losing Mjolnir in the process. Even worse, due to the Hammer's loophole about worthiness, and Beta Ray Bill's character, we end up with an Alien Thor. In this re-reading, I get it a lot more than I did as a kid. It's a pretty great twist, and it's really well written, and the art is great. I am looking forward to reading a lot more of Simonson's Thor.

Devil Dinosaur 1-9 - Written and drawn by Jack Kirby
I have this thing about Jack Kirby. I have a lot of respect for the man. Growing up, I didn't think I liked him, while at the same time (I now realize) absolutely loving a great deal of his work. This has made me reluctant to say too much about Kirby here. I decided that I wanted to start getting a better feel for the stuff of his I didn't think I liked, by actually reading a good bit of it. Hopefully I will eventually bring myself up to the level of the average person who has ever liked a comic, in regard to my regard for him. His distinctive style was never my favorite, and I didn't understand his having things that looked really similar in concept at both Marvel and DC, and I really got my strongest feelings for comics reading and collecting New Teen Titans and a number of very clean, more realistically drawn comics I guess, so it took me a long time to be able to really get art that had stylized elements, etc.

I know this goes back to when I was little, and I have mostly broken free from it. I can judge different styles based on their differences, their effect, and all sorts of things that can be conveyed in any number of wildly different ways through comics. Really, what I am saying here, is that I am not 10 anymore. I am over thirty years, not ten. This shouldn't be so difficult for me, right?

I searched Kirby, I wanted something I had very little experience with, and so I went with Devil Dinosaur, which came out around 1978. I am not sure I saw this comic when I was little. This may have been one I would have loved. In 9 issues, you get a red T-Rex, which is decidedly more bad ass than even the most bad ass of his non-red peers. You also get Moon Boy, who serves as our creepy little furry everyman, and who would be easy to identify with as a kid. I sort of hate him, but there is some necessity for him that would be hard to get around without making the dinosaur at least think, or become the bad guy in the book. You get alien robots, giants, giant ants, lots of dinosaurs, small folk, killer folk, a witch, time travel, everything you could ever want from a comic. The art is furious, the color is vibrant and lovely. The dinosaurs are fearsome and danger and peril is conveyed in every line. It was a more enjoyable and entertaining comic than it was a particularly good one. I think that is a fair enough exchange.

Moon Boy and Devil bond and grow up as brothers. He reminds me a bit too much of Chaka from Land of the Lost, so I have trouble liking him. He is brave though, and cares about his 'Brother". Devil is fearsome and very smart. The scenarios we are given are not just bad guy rolls into town and the dinosaur fights him, motivations vary, a few other heroic characters pop up, etc. It is a fun read if you enoy feeling like a kid when you read comics.

Plus the old school flowery language in it is kind of funny
...
And Thus Endeth The Chronicle

SPX Revisited: Kevin Days a Week

My goal is always to get something written about an event, within a week or so of the event. With the Small Press Expo, I would love to get a nice report written, mention what I got and my general feelings about the event and who I met, etc. within a few weeks of the event. I did some of that, sort of on schedule. I kept putting this review off because of general anxiety based procrastination and the fact the the book is so chunky I wasn't getting through it very quickly. A lot of things I picked up last year were a bit longer than standard mini comic fare. SPX is not exclusively a mini comic expo, but I do sometimes define it that way when thinking about it.

I picked up Kevin Days a Week: Book 3, 2008 -2009 from Kevin Burkhalter. Burkhalter has a journal comic posted online at kevinsjournalcomic . It is a very nicely done Journal comic. Each day gets 4 panels. This translates beautifully into fat little square volumes filled with a year worth of daily goings on. I picked up the third volume as my introduction to the comic as I learned at SPX that an artists most recent project is usually their favorite. I often ask people to recommend a volume, or let me know what they think their best work is, etc. When the nature of the comic doesn't require you to start at a #1 to get it or enjoy it.

I recommend checking out the online comic. Start at the earliest stuff, but be sure to click through it and watch Burkhalter's progress as an artist. I don't know that everyone shares my enthusiasm for Journal comics, but I love them. There are certainly things out there that have been overdone, but as long as there is honesty and insight in the comic, I am probably going to like it. I tend to feel like an outsider, and seeing other people's lives and idiosyncrasies is helpful and enjoyable to me. I also think, that if done right, you end up with things that can be more unique than even the most original 'new idea' for a super hero comic, or detective story, etc.

A ton of people are featured in the daily happenings, and in pretty much every instance they are identified. I get excited when I see people in the panels that I have met at SPX. I also like that in addition to so much of the journal being in and around SCAD, there is also a lot of 'action' taking place in Virginia, which gives me more things to identify with.

Burkhalter is a pretty terrific cartoonist, and it really is interesting to see just how much a style can change and refine after years of doing daily journal comics. His earliest panels that are posted are very good, and work just fine, but following those through to the most recent postings is really just incredible. Check out his work and enjoy

The Cape (TV Show - Spoiler Warning)

We watched the premiere 2 hours of The Cape on NBC last night.It was less of a 2 hour premiere than it was a one hour premiere and first episode shown back to back, in that the story in the first hour wraps up, and a new plot line comes up for the second hour. There is continuity of course, and it worked just fine for me as I like getting 2 hours of a new thing right up front. This way we got the origin, and some development as well.

The Cape, as far as I know, is an original TV property, which is good, as it allows for none of the fan ranting that a character is being portrayed wrong, etc. that you get from properties that were comics first, or otherwise have an established run of some sort. It is VERY much in the style of superhero comics, and fortunately it has a sincere golden age vibe to it without being a deconstruction or a camp heavy send-up of the genre. It has a sincerity to it and also a good amount of humor and fun in its execution and character personalities and their interactions with one another. What was good about this show is very similar to what I find appealing in the Fox show Human Target. There is action and adventure, but there a compelling characters, and decent character interaction, etc., without coming off as too heavy or dark, but also not too light or campy. It is a nice balance.

Here are the basics:
The show takes place in the fictional 'Palm City'. Good cop, former soldier Vince Faraday (David Lyons) is our hero. He is on a police force that not only has a good bit of corruption, but one that is also on the verge of being privatized by a giant security firm called ARK, which is run by billionaire Peter Fleming (James Frain). At the beginning of the show, a new, good police commissioner is being sworn in/introduced, whatever, and he is killed with a new sort of explosive device right under everyone's nose, and with Faraday overseeing the security detail on the commissioner. The crime was committed by the masked murderer known as Chess. Later, Faraday's friend on the force suggests he join ARK prior to the firm taking over the police, and that way he can be in a good position, etc. Faraday gets a message from mysterious covert blogger Orwell, who routinely exposes corruption in the police and government. The message points him in a direction to uncover the truth about Chess and the explosive used to kill the police chief(or whatever he was). Faraday goes all good cop and pokes around, finding out that ARK is smuggling the explosives in other products. His friend betrays him, and Fleming, who of course is also Chess, sets up Faraday as being Chess. Faraday flees and seemingly gets killed in an explosion, but is actually taken into custody by a group of circus folk and performers who rob banks as The Circus of Crime.

At no point so far in the show are you winked at. Yes, if you over scrutinize, some of this will seem ridiculous, but it is done in a way that lets you stay immersed, and doesn't take you out of the story so much that you start nitpicking or worrying over those things. Circus of Crime is a pretty awesome thing, and certainly a well used device. I get a golden age feel to it as you have these sort of exotic mentors and a well trained hero that is based firmly in good. He works with the circus, and helps them commit crimes, but they establish that their crimes will be against ARK and Fleming, so it works with Faraday's need to avenge himself because of him.

Max Malini (Keith David) Is a standout in this as a master illusionist and sort of curator of the craft who has turned to crime, but not abandoned showmanship in the least. Once he signs on to help Faraday, he provides him with a special one of a kind pure spider silk cape with a weighted hem, etc. and overseas his training in all of the great super hero friendly circus disciplines. He arranges a regimen of instruction in fighting styles that favor a cape, as well as cape based disappearing illusions and hypnosis, etc. Some of these at the hands of other circus folk. There is no sense of time in the training montage, but at the end of it all he becomes The Cape, a shadowy figure who uses stealth, escape, and a cape that acts like a whip in many ways to thwart crime and get at The man who separated him from his wife and son (since he is considered dead, but would put them in jeopardy if anyone discovered he was alive.)

Comics, in particular a comic called The Cape, are important in this story. He gets the idea from the comic book that his son likes, and that he shares a special bond with his son over. They covertly read the comic together at night when the mom is out of the room, etc. I thought that was a nice nostalgic element there too. The idea of a parent and child bonding over comics is a pretty nice on to me. My daughters share an appreciation of comics with me, and when I was little, before I started getting comics with adult themes and art in them (Love and Rockets) My dad used to pick up my comics and enjoy reading them as well. I like that it is shown here, and that a primary part of his using the comic character persona is to show his son who he can't be with, that one person can make a difference.

As if I needed more to like about this show, Orwell(played by fan favorite Summer Glau... I saw it written that way somewhere, so I had to use that line myself) is like Watchtower from Smallville, rolled up with Eyes Only from Dark Angel. Very very similar to both in the tech and media/ exposing corruption angle, and the ability to do anything with computers, etc.) Her character is pretty good, but may be a slightly weaker point of the whole setup. We will have to see how it develops.

I am pretty sure I will continue watching this for a while. I really do like all the elements that are brought together. It has so many things in it that are comic tropes without seeming stupid. You see something, or hear a reference Like the secret criminal society the Tarot (which sounds like The Fraternity(from Wanted) and all the other shady organizations named after tarot or chess, etc.) and it makes you smile and nod. It hits a lot of notes, and does it in an authentic seeming way, what I was calling sincere earlier.

The pilot is available online, and I think will air again tonight. It is worth giving a watch if you like super heroes in my opinion.

What I took away from X3 The Last Stand, This time

I rewatched X3 again today with my daughters. My reasons for this are my own, but I took away two things from this rewatching that I hadn't previously.

1.) I was able to do MST3K running commentary through the entire thing, and it certainly enhanced my enjoyment of the movie (My daughters were able to join in to some degree, and a good time was had by all.)

2.) This is a spoiler if you haven't watched the movie, so you've been warned... At the battle on Alcatraz at the end, as Wolverine is fighting his way toward Jean, this revelation stood out, and once again, my Hugh Jackman loving 16 year old daughter pointed this out... Wolverine has magic pants. His skin, his shirt, everything, is being shredded. His skin is being peeled off, his clothes are gone, except his pants. His pants are there, and mostly unharmed. I for one am glad this was the case, and I am going to assume for the purposes of not accepting any other answer that my daughter is glad they stayed on as well, but they sure did survive, and at point blank range, while the woman was vaporizing everything else around her, his magic pants stayed on.