Robot Dreams by Sara Varon

This book is making it hard for me to review it. I will start with the easy part and finish with the stuff that is giving me trouble from a review standpoint. Robot Dreams by Sara Varon is a dialog free comic. I love how this book looks and feels. It is a First Second book, so I am not surprised at the quality.

I was not really familiar with Sara Varon before I brought this home from the Library. As it stands, I now have a strong desire to read everything she has done. I think I like every single panel in the book. She certainly conveys a great deal in the nearly wordless pages. She also has created a book that doesn't rely on anything overtly negative or malicious. The inhabitants of the world this takes place in are all animals, and they are all depicted without cruelty or hostility in them. The story is a simple one, and it doesn't preach or moralize. It also makes very clear that reading and libraries are two extremely important things. When the dog needs to find a beach to go to, they hit the Library first. When they need to figure out how to repair a robot, they look in the Library first. It also shows us the benefits of various transit methods like the bus or Taxis. I really like that we get panel space for those things.

Check out Sara Varon's WebPage for more about her and her works.


Ok, here's the thing. Sara Varon is a heck of a story teller, and I genuinely do like every panel of her work, I really think the art is darling and the storytelling masterful, and the feelings of her characters convey right through the illustration and are touching and charming. All that being said, I hate the story and think it's an awful story. I yelled at the book when I was done. As if it was it's fault the story was awful. Here is my take on the story:

A dog orders a build it yourself Robot, makes a friend out of it. Does really nice things for it and with it, including going to the beach. The Robot swims and ends up rusted and immobile. The dog completely abandons the robot on the beach. The dog returns maybe a day, maybe a month later and the beach is closed, so despite seeing the robot right over there.. he leaves and starts on a quest to find new friends, leaving robot to lay there alone with his fantasies, etc. with no hope for rescue. At one point while robot is scavenged from in a way grossly disproportionate to the needs of the person who scavenged off of him. Jump to the end of the book, and dog just buys and builds a new robot. Old Robot has been found by a cool guy who makes him into a walking and dancing radio of a robot. He sees his old best pal walk by with his new robot, and plays music for them to hear, but they straight up ignore him and walk by. THE END

Please also note that the dog who abandoned the robot because of rust, easily carried him when he first arrived in box before assembly, and later carried the second robot the same way. Somebody doesn't value friendship or the feeling of others over the need to never be even mildly inconvenienced I guess.

The other thing about the story that gets my attention is how the plot is summarized in different places. The creator has the best and most accurate blurb about it, and then the publisher has some misleading notions that it posts, and I saw others commenting on it referring to it in ways that make you wonder if the read it at all.

So, In closing, I certainly liked a whole lot of stuff about a book whose story is on my Nixon-Style enemies list. Also, if you close one eye and read it in a different frame of mind than perhaps I did, you could see it as a story with a number of triumphs in it, a sort of survivors story, are one of winning through patience and perseverance.

Small Press Expo 2011

Small Press Expo will take place on Saturday and Sunday, September 10 and 11 this year, once again at the Bethesda North Marriott Hotel and Conference Center in Bethesda, Maryland. I hope you appreciate that I am posting about this early enough for you to start saving your money. This is a show that you can enjoy without spending much. but it presents an opportunity to sample a great deal of small press and independently produced comics. It has also had some pretty great programs in the past, Including features involving cartoonists such as Jaime Hernandez, Carol Tyler, and Bryan Lee O'Malley (To name a few sessions I personally attended and enjoyed).

This years lineup of special guests includes a pretty diverse group of creators as you can see from the Flyers I have attached here from the SPXPO site. (Craig Thomson and Dustin Harbin respectively). The artwork, flyers and posters that are made for SPX are always pretty awesome, and these are no different.

Write-ups for this year's guests can be found at the Exhibitors and Guests page on the SPX site. This year they were written by volunteers. I wrote the blurbs for Jim Rugg and for Johnny Ryan. I have been a big fan of Rugg's since I picked up Street Angel from him at a Pittsburgh Comicon a number of years ago, before it was in trade paperback form. Despite loving his work, or maybe because of my love for his work, my blurb is a bit drier than I had hoped it would be, as I didn't want to break down into blathering about just what a great guy he seemed like, and how interviews done with him are some of the better comic related discussions you could want to read. Not wanting to turn a little blurb into an editorial love-fest, I went with a cut and dried approach and it is boring but respectful.

I felt a bit more comfortable being a little looser with the Blurb for Johnny Ryan. Up to the point of asking to do his writeup, I had only read one issue of Angry Youth Comix. I had wanted to become more familiar with his work, so I asked to write it and then bought at least one trade volume of each of his collected works, etc. Given the nature of his work, it made it feel a bit easier to joke while still being respectful of a cartoonist that really knows what he is doing.

It was fun being a part of this build up to the main event in the fall. SPX is a fun event to volunteer at, in addition to being one of my favorite comics related events in general. There is a large selection of wildly varied material, and behind nearly every table is someone that is genuinely excited about being a creator and getting their work in front of people. If you haven't been to it, you really should give it a shot. If you are a fan of comics and comics creators, then this is something that can really rekindle enthusiasm for those things. For the past several years I have gone and I have volunteered, and each year I leave the event having met some really awesome people at all levels of the comics experience.

Copper by Kazu Kibuishi

I was not familiar with Kazu Kibuishi's web comic Copper before I saw this book in the library. I knew him from the Flight Anthologies, and am a huge fan of his Amulet series, so I recognized his style on the cover before I read his name there.

I like the strips that are in here. They are single page affairs, but sometimes are connected to other pages and sometimes not. The setup for the strip is basically Calvin and Hobbes, but that analogy only goes so far. There is a boy named Copper, and he has a dog named Fred. They have adventures and hang out and play games and set themselves adrift in the world. Sometimes there exploits seem to take place in the real world, sometimes in fantastic worlds, sometimes dystopian worlds, and sometimes in dream.

Kibuishi's art is beautiful. It is stunning and colorful and shows clearly the wonders and beauty that Copper is so taken by. He sees beauty and takes time to look at it. He is a master of creating lush but bleak landscapes. I am not sure how else to describe what he does in many of the pages. There is a bleakness in some of them, mixed with a sort of beauty and detail. The strips range from clever or funny to melancholy and somewat cynical.

I enjoyed reading the book. It made me chuckle and it made me sigh. Certainly worth looking at online to make your own decision. It is on Kibuishi's website.

Castle Waiting: Volumes One and Two

I borrowed the hardcovers of Castle Waiting volume one and two from my local library. I own the paperback volume one, but reading both in hardcover was kind of nice. I had difficulty setting the books down once I started, and honestly loved both of them pretty much completely. When I was re-reading EB White's books to my kids as they were groing up, Stewart Little was my favorite, and the character stays very present in my mind, as he was an example of decency, and also kind heartedness. For being more or less a mouse in the world, he was fallable and capable of self defeat, but really, again for being what he was, embodied humanity as I could identify with it, and as I liked to think it could be. This is what Linda Medley has captured and conveys in the characters she has created in her books. Even if the characters are not all entirely human, there is a real decency and humanity in so many of them that it has the ability to just about bring tears to my eyes.

Linda Medley's art is clean and thin lined and very clear and easy to follow. Her settings and architecture are perfect, and her expertise with facial expressions has her rightfully recognized as one of the all-time greats in that particular skill. I think of her in the same way I think of Jaime Hernandez and Terry Moore with regard to conveying thoughts and feelings through their character's faces.

Castle Waiting starts with a retelling of the Sleeping Beauty fairy tale. Stories are a primary focus of this series, and it opens with a story that at least so far, gives us the main base of operations for the primary focus of the series, and it also gives us a handful of characters. If Castle Waiting is about stories, it is equally about characters, as characters are the heart of the stories. There is less traditional 'action' in Castle Waiting than you might expect for something that owes so much to Fairy Tales, and seems to have evolved out of such a great love of them, but it is replaced with character development and backstory filling up even the most seemingly still and reflective or insignificant of pages.

After the Sleeping Beauty story is told, we move focus to Jain, who we first see fleeing presumable domestic abuse and setting out on her own to seek an almost mythical sanctuary known as Castle Waiting. Jain exhibits a lot of fairy tale characteristics herself, and gets into situations that should go much worse for her, but always seem to work themselves out with kindness or storytelling, etc. She eventually makes it to Castle Waiting, which is the castle of the kingdom from the Sleeping Beauty story. Remaining there from the opening piece is a trio of Ladies in Waiting who are now very old ladies, and a small demon that always seems to be around. They people of Castle Waiting operate it as a sanctuary for anyone who needs it, and they all need it themselves to some degree.

Jain is pregnant, and has her child at the castle, and ultimately the book turns to the story of Sister Peace (Warren), a sister of a very unique order, who seems to always know what people really need. Her story is again, filled with relatively little real conflict, although there is a good bit there, the focus is on the good people trying to live their lives. The stories are very much the sorts of things that go on just off the page in fairy stories, combined with a sort of modern sensibility of feminism and human nature, and good people looking out for good people.

The Second volume contains a lot of coverage of what goes on when visitors come to the castle with ties to some of the other residents, and are inlisted in helping Jain and her baby move to different living quarters. It is slice of life, but there is more going on than just day to day. You continue to get stories, and you continue to wait for resolution to a variety of questions that have naturally come up since the story began. In my opinion that is just fine with me. I am not impatient about the lack of resolution. The word WAITING is right there in the title. This is not an action story, this is a story that celebrates the need for stories as much as the need for people to have a safe place to live, and caring people to interact with. There is a great deal of sweetness in this, but it is mixed with mischief and wonder, and a sense that if you look hard enough you will find that you aren't alone, and that you don't have to suffer for your differences as much as we are lead to believe sometimes. These books are a treasure, and I highly recommend them. There will be plenty of people who will surely hate them as much as I love them, but there are books out there for them as well.

Doctor Voodoo: Avenger of the Supernatural

Doctor Voodoo has always been a character that I thought was cool. I am sure I have always felt that way, but I am not sure that i ever really read anything with him in it when I formed that opinion as a kid. I was excited about this series when it started, and I am pretty sure I picked up the first issue. I don't think any subsequent issues actually made the shelf at my LCS and that was that. Fortunately for me it is available through Marvel Digital Unlimited and I got to read it recently. I wish that it was more than five issues, but it as a complete arc and has an awful lot going for it.

Rick Remender wrote the series, which involves a plot by Nightmare to undo reality, and Jefte Palo turns in an amazing job with the art. Combined with Stunning covers by Marko Djurdjevic, this comic has everything you could want. In addition to always thinking Brother Voodoo was a cool character, I absolutely LOVED Nightmare When I was a kid. The story pretty much turns into Jericho and Daniel Drumm vs. Possessed versions of everyone else in the Avengers, etc. We get good back story on the brothers, and a pretty fun main conflict. I wish I had subscribed to this title, and I wish it was still running. Even occasional mini's of it done with the same team would be welcomed.

daytripper

I recently went on a multi-day online spending spree and a week or two ago got a couple boxes of trades in the mail. Ok, it was probably ten or eleven books, but they did come in multiple boxes, so I'm not exaggerating all that much. Most were highly discounted, and titles that I didn't want to miss at a really good price, but I also ordered daytripper because it was a title I had heard good things about and really wanted to read. Based on the creators I was pretty sure I would like it, and I wasn't disappointed at all.

daytripper is written and drawn by Fabio Moon and Gabriel Ba. It is about a man and his life and his relationships. It's about being a writer, it's about being in your father's shadow, it's about being your mother's little miracle. It's about experience and dreams and family and friends. It's about mortality and what we leave behind. In the story, Every chapter covers a different important event in the life of our protagonist Bras de Olivia Domingos. The chapters are not exactly in chronological order, and every one of them ends in his death and subsequent obituary.

This was a very moving book. The art is beautiful, and it is populated with realistic people and realistic events. Despite having the main character repeatedly die and seemingly keep right on living, this is not played off as fantasy. There are dream elements in this, but conveying the dream is less of the point than conveying the reality.

To me, the art and the setting for this story are so intimately done, that despite it being a pretty exotic locale for me (Brazil), it comes across as beautiful, but very realistically portrayed. It's the protagonists home. The locations are what they are because that is where he lived, that is where he traveled to.

Excellent book. It has a very literary feel to it. It seems like it is another good example of comics that really elevate the medium. It feels like a foreign film to me. What you see is universal, and makes you think, but it is in a way that doesn't skew so much to the mainstream, doesn't deliver what you are expecting.

Marvel Digital, Thor, and Devil Dinosaur

Not too long ago I renewed my subscription to Marvel Digital Online . I had subscribed to it a while back and then under-utilized it. There was a decent percentage off for a year subscription that made me feel I should give it a chance again. Really, despite its shortcomings, the fact that I didn't take advantage of it previously was completely on me. That, and the fact that I saw a number of runs I was interested in reading, or reading again as is the case with Thor, made it easy enough to jump back in. I have access to a lot of good comics for just over the cost of most Marvel single issues. Yes, this is basically a countdown until I lose interest again, but my intentions are always the best in the beginning.

The Mighty Thor
I started with Thor this time. I was very interested in re-reading More of Walt Simonson's historic and acclaimed run on the title, and revisiting Beta Ray Bill, a character that I was very much on the fence about when I was reading the series originally around my freshman year in High School. I added a LOT of Mighty Thor to my 'Must Read' list, and started with issue 337. In this Issue, Thor is called upon by Nick Fury to investigate an alien spaceship on its way toward Earth. When Thor gets there, he finds his near match in the form of the ships guardian. Due to misunderstandings regarding motives, they end up fighting as enemies. Thor accidentally turns into Donald Blake and loses, losing Mjolnir in the process. Even worse, due to the Hammer's loophole about worthiness, and Beta Ray Bill's character, we end up with an Alien Thor. In this re-reading, I get it a lot more than I did as a kid. It's a pretty great twist, and it's really well written, and the art is great. I am looking forward to reading a lot more of Simonson's Thor.

Devil Dinosaur 1-9 - Written and drawn by Jack Kirby
I have this thing about Jack Kirby. I have a lot of respect for the man. Growing up, I didn't think I liked him, while at the same time (I now realize) absolutely loving a great deal of his work. This has made me reluctant to say too much about Kirby here. I decided that I wanted to start getting a better feel for the stuff of his I didn't think I liked, by actually reading a good bit of it. Hopefully I will eventually bring myself up to the level of the average person who has ever liked a comic, in regard to my regard for him. His distinctive style was never my favorite, and I didn't understand his having things that looked really similar in concept at both Marvel and DC, and I really got my strongest feelings for comics reading and collecting New Teen Titans and a number of very clean, more realistically drawn comics I guess, so it took me a long time to be able to really get art that had stylized elements, etc.

I know this goes back to when I was little, and I have mostly broken free from it. I can judge different styles based on their differences, their effect, and all sorts of things that can be conveyed in any number of wildly different ways through comics. Really, what I am saying here, is that I am not 10 anymore. I am over thirty years, not ten. This shouldn't be so difficult for me, right?

I searched Kirby, I wanted something I had very little experience with, and so I went with Devil Dinosaur, which came out around 1978. I am not sure I saw this comic when I was little. This may have been one I would have loved. In 9 issues, you get a red T-Rex, which is decidedly more bad ass than even the most bad ass of his non-red peers. You also get Moon Boy, who serves as our creepy little furry everyman, and who would be easy to identify with as a kid. I sort of hate him, but there is some necessity for him that would be hard to get around without making the dinosaur at least think, or become the bad guy in the book. You get alien robots, giants, giant ants, lots of dinosaurs, small folk, killer folk, a witch, time travel, everything you could ever want from a comic. The art is furious, the color is vibrant and lovely. The dinosaurs are fearsome and danger and peril is conveyed in every line. It was a more enjoyable and entertaining comic than it was a particularly good one. I think that is a fair enough exchange.

Moon Boy and Devil bond and grow up as brothers. He reminds me a bit too much of Chaka from Land of the Lost, so I have trouble liking him. He is brave though, and cares about his 'Brother". Devil is fearsome and very smart. The scenarios we are given are not just bad guy rolls into town and the dinosaur fights him, motivations vary, a few other heroic characters pop up, etc. It is a fun read if you enoy feeling like a kid when you read comics.

Plus the old school flowery language in it is kind of funny
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And Thus Endeth The Chronicle